text by JULIANA BALESTIN
Christian Marclay’s 24-hour film, The Clock, may have found its most appreciative audience in The City That Never Sleeps. The Paula Cooper Gallery extended its hours to accommodate visitors who wanted to see the single screen projection of the film at any hour, day or night. Marclay searched countless color and black-and-white films of various periods, culling from them images of clocks. He jump cut these images and then edited the resulting film to a length of 24 hours. Marclay transforms time into a communal art experience, synchronized with cinematic references just about everyone gets. The Clock may be the most extensive sampling of popular films ever.
[Table of contents]
night pictures
night pictures by Olivier Zahm with a portfolio by Ron Galella
by Olivier Zahm
by Alex Israel
by Rachel Chandler
Noritoshi Hirakawa
by Sabine Heller
by Alex Israel
by Olivier Zahm
by Matt Sweeney
by Kazumi Asamura Hayashi
by Olivier Zahm
by Marcelo krasilcic
by Dominique Isserman
by Stacey Mark
by Camille Bidault Waddington
by Olivier Zahm
by Martien Mulder
by Steven Klein
by Magnus Unnar
by Theo Wenner
by Olivier Zahm
by Glenn O'Brien
by Lola Schnabel
by Olivier Amsellem