ESSAY
text by MARC AUGÉ
artwork by DOUG AITKEN
french anthropologist and sociologist marc augé writes about non-spaces, supermodernity, human mobility, and our relation to history.
The subject of this text is the future. Not the future in the sense of “what is to come”. That is a somewhat myopic concept that we project without much thought onto ill-defined groups (“What future are we shaping for our children?”) when we talk, again without much thought, of our presumed inadequacies (“We are accountable for the future of our children”) or our hopes (“Science is the future”).
Not that future, but the future as a time of conjunction, the most concrete time of conjunction if it is true that the present is always ungraspable, ever retreating with the ceaseless passage of time; and that the past is always obsolete, irremediably finalized or forgotten. The future as life in the process of being lived individually.
That future is essentially obvious, while we are in perpetual doubt over “what is to come”. What it boils down to is current events which give a content to the future by occurring. On that basis it can arouse every hope and every fear. There are societies in which occurrences, as pure contingency, are experienced as unbearable: they are interpreted, to slot them into the structure, and thus make them into a normal, expected expression of the order of things. Misfortune in general and illness in particular are investigated with a view to identifying the individuals responsible for them, but also to reaffirm the existence of an immutable norm: that is why their anthropologies (if this term is understood to mean a coherent body of representations assembled over time and transmitted from generation to generation) already include definitions of the individual, of the body, of consanguinity and of the collection of interpretative tools that make it possible, when the occasion arises, to explain apparent disturbances as indirect expressions of the norm. Taken together, these elements comprise a set of instructions which ethnologists analyse piece by piece in chapters covering, for example, kinship, the notion of the individual or beliefs in magic and sorcery. But the “persecutory” conception of misfortune corresponding to this type of interpretation (when someone falls ill or dies, someone else must necessarily be the cause), while most spectacularly expressed in those human groups in which the individual is closely, substantively and structurally integrated with the collective, is only one of the modalities through which human societies in general try to account for events by fitting them into a logical and chronological succession. The past is never wholly occluded either on the individual or the collective level.
The future, even when it concerns the individual, always has a social dimension: it depends on others. Any episode seen as a “stage” in an individual’s life (an examination, a competition, a job, a marriage) depends to a large extent on people other than himself and fixes him more firmly in the web of collective obligations. It is sometimes said that the individual “constructs” his future, but others participate in that enterprise which is primarily a manifestation of social life. Inversely, people speak these days of the social “exclusion” of those who apparently have no “future”, who complain and protest because their assignation to a miserable and continuing present is experienced as the equivalent of a death sentence.
So, both senses of the “future” are expressions of the essential solidarity between the individual and society. An absolutely solitary individual is unimaginable, just as one sort of future without the other would be unbearable. But inversely, to subordinate an individual to collective standards and his future life to what befalls the group smacks of totalitarianism. The radiant future once promised to the popular masses was a contradictory and impossible idea, in that it implied the stopping of time and thus the disappearance of the future — and of the individual with it. Basically it is the same with the future as it is with happiness. The object of democracy is not to ensure the happiness of all, but to create the conditions for it as a possibility for each individual by eliminating the most obvious sources of unhappiness. An acceptable future for all would be one in which every-one could manage their own time and give meaning to the future by individualizing their personal futures.
The real problems with democratic life today stem from the fact that technological innovations exploited by financial capitalism have replaced yesterday’s myths in the definition of happiness for all, and are promoting an ideology of the present, an ideology of the future now, which in turn paralyses all thought about the future.
END
an excerpt from the future, translated by john howe, published by verso, london, 2014
all artwork courtesy of the artist /303 gallery, new york / galerie eva presenhuber, zurich / victoria miro gallery, london / and regen projects, los angeles
[Table of contents]
a purple future
by Daniel Pinchbeck
cover #1 ram han
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the fragile skin of the world
by Jean-Luc Nancy
the future is everywhere
by Emanuel Coccia
the sources of time
by Carlo Rovelli
artificial intelligence the eclipse of human discretion
by Adam Greenfield
individual future and collective future
by Marc Augé
what will we eat?
by Grace Denis
acid communism
by Mark Fisher
best of the season s/s 2022
by Haley Wollens
cover #2 loewe s/s 2022
Read the articlecover #3 fendi s/s 2022
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jon rafman
by Aleph Molinari and Olivier Zahm
cover #4 jon rafman
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cyber porn punk
by Ada Navarro
saint laurent s/s 2022
by Haromony Korine
cover #5 saint laurent s/s 2022
Read the articlecover #6 saint laurent s/s 2022
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tobias spichtig
by Olivier Zahm
balenciaga summer 2022
by Juergen Teller
cover #7 balenciaga summer 2022
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paul b. preciado
by Olivier Zahm
bottega veneta s/s 2022
by Bruno Staub
cover #8 bottega veneta s/s 2022
by Bruno Staub
comme des garçons s/s 2022
by Takashi Homma
cover #9 comme des garçons s/s 2022
by Takashi Homma
gaspar claus
by Aleph Molinari
tetanized inertia
by Jean Baudrillard
is there another future for fashion?
by Marta D. Riezu
fantastic planet
by Roland Topor
courrèges s/s 2022
by Henrik Purienne
cover #10 courrèges s/s 2022
by Henrik Purienne
the will to power as disappearance
by Hakim Bey
the genesis machine
by Caroline Vreeland
for the world to come
by The Invisible Committee
body fillers and plastified diets
by Bárbara Sánchez-Kane
lovotic by soundwalk collective, charlotte gainsbourg
by Olivier Zahm
lovotic by soundwalk collective, paul b. preciado
by Paul B. Preciado
pierre huyghe
by Jérôme Sans and Olivier Zahm
chanel s/s 2022
by Philippe Jarrigeon
cover #11 chanel s/s 2022
by Philippe Jarrigeon
eliza douglas
by Olivier Zahm
cover #12 eliza douglas
by Olivier Zahm
demna
by Olivier Zahm
louis vuitton s/s 2022
by Kristina Nagel
cover #13 louis vuitton s/s 2022
by Kristina Nagel
imre and marne van opstal
by Olivier Zahm and Aleph Molinari
givenchy s/s 2022
by Markn and Brigita Žižytė
cover #14 givenchy s/s 2022
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miu miu s/s 2022
by Casper Sejersen
cover #15 miu miu s/s 2022
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george rouy
by Olivier Zahm
loewe s/s 2022
by Colin Dodgson
cover #16 loewe s/s 2022
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julia watson
by Anfisa Vrubel and Aleph Molinari
hyd
by Bobbi Salvör Menuez
mechanophilia
by Sandy Kim
celine s/s 2022
by Olivier Zahm
cover #17 celine s/s 2022
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french afro futurism
by Suffo Moncloa
cover #18 calvin klein jeans s/s 2022
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vanmoof bikes by purple
by Mathias Kiss, Nina Kraviz, André Saraiva and Mei
cover #19 vanmoof bikes
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algorithmic survivalism
by Moni Haworth
t.j. demos
by Aleph Molinari and Anfisa Vrubel
makoto azuma
by Aleph Molinari
interspecifics
by Aleph Molinari
rené daumal
by Boris Bergmann
mount analogue by philippe parreno
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the only person with a plan
by Vivienne Westwood