Essay by JEFF RIAN
jeff rian is an american writer and musician living in paris
he has been a purple contributor since 1992 and an editor at the magazine since 1995
How is it humanly possible to keep up with technology? Starting with rock hammers, 500,000 years ago, tools extended the hands, feet, eyes, and senses of the only creature on Earth to use language, to have an opposable thumb that grabs and grips, and a mind that can scrutinize, study, and process alternative media. Anthropologists have found chipped flint arrowheads by the thousands — chipped for the fun of it. Tool use created this group-chipping habit. Once nomads became settlers, tool use divided along domestic lines as new patterns of life, in commerce and trade, redefined human culture — the transmission of information via non-genetic means. Tools and technology — the practical application of knowledge — took over culture and geography. We see the effects as history.
Biologist and naturalist E.O. Wilson nominated humans one of about 19 eusocial creatures that live “in a cooperative group” and that will make sacrifices for the group. Others include apes, ants, bees, termites, aphids, and some wasps and moles. Ants share an uncommon 75% of their DNA, so when one stops moving, they all do. Humans use culture as a group lever. Human settlers, starting 13,000 years ago, divided into castes and separated livestock from wild animals, flowers from weeds, insiders from outsiders, and rich from poor. These were the evolving manifestations of human consciousness.
Neuroscientists, such as Steven Pinker, remind us that consciousness is chemical and genetic, that none of the 100 trillion or so cells in our bodies is conscious, and that roughly 100 billion brain neurons create subjective experience out of physiological activity. So, consciousness is essentially an activity of the brain that generates an awareness of things, including the self and others. This description may sound mechanistic; generally, people don’t like to think of themselves as machines, as if
reactions to each other were like a thermostat’s registering warm or cold. But that appears to be the case.
Currently, about four billion of us use the Internet. Most people have a geographical address and possibly a social-security and telephone number — and if they don’t, they want one. Everyone else waits to be engaged in this new connection-based medium of social exchange, one that interacts with artificial intelligence (AI) and cognitive science and directly influences consciousness. Access to this seemingly universal culture is unlocked via touch pads. Fingerprints, unique to each of us, are currently used as passcodes. Much of current world wealth is held by the owners of this ethereal macrocosm.
Social media offers a platform for anyone to peer into or to project themselves. AI’s developers identify patterns from vast arrays of complicated data and attempt to mimic or create analogues to brain function. AI needs only a few hundred neurons of the up-to-100 million a body uses to move a finger or arm to create an artificial limb with finger-like grip and dexterity. In the past decade, AI’s success has given computers the capacity to distinguish a head from a ball, to enable self-driving cars to identify pedestrians, to recognize and respond to human speech, and to beat anyone at chess or Go. Speech may soon replace keyboards. Smartphones may become eyeglasses. Everyone will participate. There are no requirements. But what are the effects on consciousness?
Social media is geared to get attention. Smartphones are a body part. Phantom vibration syndrome leads people to think the phone is calling them. Social media’s validation feedback induces a release into the bloodstream of the body’s own oxytocin and dopamine hormones. Dopamine is a neurotransmitter. Oxytocin is a neuropeptide (it helps to stimulate childbirth, bonding, and breast-feeding). The type of release these hormones offer is physiologically related to orgasm and behaviorally related to social recognition, bonding, maternal feelings, and the anticipation of reward. Being “liked” can generate numerous dopamine fixes per hour, per day, which relate in self-sensation to watching porn, gambling, feeling proud, or feeling that you are positively — but also negatively — seen. Effects are positive and negative. Social media frames and divides biases and anxieties. Likes validate; dislikes distract and distort. Eyes and fingers reach for the connections that reinforce them. Where once a handshake was required, connections are now available in touch points on black glass.
Pro-social behavior, in sharing, cooperating, donating, and volunteering, benefits the group. Anti-social behavior disrupts the well-being of individuals and groups. The evolution of personal reward via social media builds relationships through a form of artifice that divides as well as unites, framing barriers of psychological difference that can be difficult to breech (as current politics reveals). Which makes social media seem more anti than pro. Which makes this era an interesting moment for the brain, and maybe even the end of something or the beginning
of something else.
[Table of contents]
edito
by Olivier Zahm
the online brain
by Jeff Rian
plants know
by Emanuele Coccia
cover #10 givenchy
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post-brain
by Joshua Decter
the world brain
by Mark Alizart
make love, not code
by Beau Friedlander
best of the season S/S 2020
by Michael Bailey-Gates
daphna joel
by Daphna Joel
psychonauts
by Eloise Parry
the second brain
by Bruno Verjus
what we’ve lost in a world of connection
by Éric Troncy
everywhere I look, there I am
by Brad Philipps
cover #7 cartier
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The language forest
by Julien Bismuth
donatien grau
by Donatien Grau
cover #4 dior lily mcmenamy
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cosmic brain
by Alejandro Jodorowsky
cover #9 gus van sant
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cerebral frugality
by François Simon
cover #11 miu miu
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new york state of mind
by Mario Sorrenti
balenciaga S/S 2020
by Juergen Teller
cover #12 comme des garçons
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daniel arsham
by Olivier Zahm
serenity
by Senta Simond
paying attention to the attention economy
by John Jefferson Selve
nordstrom
by Olivier Zahm
OTTOLINGER —> CHRISTA BÖSCH + COSIMA GADIENT
by Olivier Zahm
puppets and puppets
by Olivier Zahm
PYER MOSS —> KERBY JEAN-RAYMOND
by Olivier Zahm + Savannah Nolan
telfar by olivier zahm and torso of this
by Olivier Zahm
duality
by Camille Vivier
through the labyrinth dior s/s 2020
by Dario Catellani
cover #8 balenciaga
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carsten höller
by Olivier Zahm
cortex miu miu s/s 2020
by Colin Dodgson
sadhguru
by Olivier Zahm
cover #5 celine
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peter schuyff
by Bill Powers
brad phillips
by Olivier Zahm
philosophy with catherine malabou
by Olivier Zahm
cover #6 dior daniel arsham
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genesis belanger
by Olivier Zahm
mind games
by Suffo Moncloa
cover #4 dior lily mcmenamy
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dike blair
by Olivier Zahm
cover #2 paul mccarthy
Read the articleeliza douglas
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huysmans syndrome
by Olivier Zahm
power brains with gloria allred, jess miller and meisha brooks
by Olivier Zahm
harold ancart
by Olivier Zahm
arsun sorrenti
by Olivier Zahm
teodor currentzis
by Olivier Zahm
cherchez le garçon
by Ola Rindal
marika thunder by olivier zahm
by Olivier Zahm
bjarke ingels
by Emilien Crespo
cover #3 nordstrom
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gus van sant
by Olivier Zahm
ariana papademetropoulos
by Olivier Zahm
entanglement store with paul mccarthy
by Paul Mccarthy
cover #13 saint laurent
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