[07/26/2017]
“I first saw Robert’s work in 1980, in a show at the Mudd Club curated by Keith Haring. Robert was one of the bad boys of that generation. His picture of an iceberg was hanging over Basquiat’s bed when he died. Through the 80s he showed at Patrick Fox’s gallery, the baddest, punkest of galleries, with a stable that included Rene Ricard, Sue Williams, McDermott/McGough, Donald Baechler, George Condo, Alan Vega, and Steven Sprouse. In a way, Hawkins seemed the baddest of them all, and he worked hard into the nineties while avoiding the commercial success his peers achieved—had lots of shows at different galleries, and burned bridges gaily” writes Glenn O’ Brien in his essay for Purple issue 8.
Photo Sebastian Piras
“Wes Anderson: The Archives” exhibition currently at the Design Museum in London
Chikashi Suzuki’s Trip to Kyoto for Purple Travel, December 2025
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“Azzedine Alaïa and Christian Dior, Two Masters of Haute Couture” currently at...
Camille Henrot’s “Água Viva” solo exhibition currently on view at Lina bo...
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Purple #44 – The Analog Issue – Playlist #5 by Matières Fécales
Hawkesworth Jamie
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Balenciaga
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BIRKENSTOCK BOX x Rick Owens Launch Party at Rick Owens, Los Angeles
Sofie in the Dutch fields
“Wes Anderson: The Archives” exhibition currently at the Design Museum in London
Chikashi Suzuki’s Trip to Kyoto for Purple Travel, December 2025
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William Eggleston
“In Praise of Ma: Emptiness and the Space Within” exhibition is currently...
Musée Réattu Arles presents a revised vision of its permanent collection, affirming...
“Westwood | Kawakubo” exhibition currently at the National Gallery of Victoria in...
“Azzedine Alaïa and Christian Dior, Two Masters of Haute Couture” currently at...
Camille Henrot’s “Água Viva” solo exhibition currently on view at Lina bo...
© Purple Institute