by THE INVISIBLE COMMITTEE
The Invisible Committee is an anonymous French writer or group of writers covering anarchism, anticapitalism, communism, and 21st-century culture. it rejects the term “author” but has given its nom de plume to the books The Coming Insurrection, To Our Friends, and Now, all published by Semiotext(e).
Attach yourself to what you feel to be true. Begin there.
An encounter, a discovery, a vast wave of strikes, an earthquake: every event produces truth by changing our way of being in the world. Conversely, any observation that leaves us indifferent, doesn’t affect us, doesn’t commit us to anything, no longer deserves the name truth. There’s a truth beneath every gesture, every practice, every relationship, and every situation. We usually just avoid it, manage it, which produces the madness of so many in our era. In reality, everything involves everything else. The feeling that one is living a lie is still a truth. It is a matter of not letting it go, of starting from there. A truth isn’t a view on the world but what binds us to it in an irreducible way. A truth isn’t something we hold but something that carries us. It makes and unmakes me, constitutes and undoes me as an individual; it distances me from many and brings me closer to those who also experience it. An isolated being who holds fast to a truth will inevitably meet others like her. In fact, every insurrectional process starts from a truth that we refuse to give up. During the 1980s in Hamburg, a few inhabitants of a squatted house decided that from then on, they would only be evicted over their dead bodies. A neighborhood was besieged by tanks and helicopters, with days of street battles, huge demonstrations — and a mayor who, finally, capitulated. In 1940, Georges Guingouin, the “first French resistance fighter,” started with nothing other than the certainty of his refusal of the Nazi occupation. At that time, to the Communist Party, he was nothing but a “madman living in the woods,” until there were 20,000 madmen living in the woods, and Limoges was liberated.
Don’t back away from what is political in friendship.
We’ve been given a neutral idea of friendship, understood as a pure affection with no consequences. But all affinity is affinity within a common truth. Every encounter is an encounter within a common affirmation, even the affirmation of destruction. No bonds are innocent in an age when holding onto something and refusing to let go usually leads to unemployment, where you have to lie to work, and you have to keep on working in order to continue lying. People who swear by quantum physics and pursue its consequences in all domains are no less bound politically than comrades fighting against a multinational agribusiness. They will all be led, sooner or later, to defection and to combat.
The pioneers of the workers’ movement were able to find each other in the workshop, then in the factory. They had the strike to show their numbers and unmask the scabs. They had the wage relation, pitting the party of capital against the party of labor, on which they could draw the lines of solidarity and of battle on a global scale. We have the whole of social space in which to find each other. We have everyday insubordination for showing our numbers and unmasking cowards. We have our hostility to this civilization for drawing lines of solidarity and of battle on a global scale.
Expect nothing from organizations.
Beware of all existing socialmilieus, and above all, don’t become one.
It’s not uncommon, in the course of a significant breaking of the social bond, to cross paths with organizations — political, labor, humanitarian, community associations, etc. Among their members, one may even find individuals who are sincere — if a little desperate — who are enthusiastic — if a little conniving. Organizations are attractive due to their apparent consistency — they have a history, a head office, a name, resources, a leader, a strategy, and a discourse. They are nonetheless empty structures, which, in spite of their grand origins, can never be filled. In all their affairs, at every level, these organizations are concerned above all with their own survival as organizations, and little else. Their repeated betrayals have often alienated the commitment of their own rank and file. And this is why you can, on occasion, run into worthy beings within them. But the promise of the encounter can only be realized outside the organization and, unavoidably, at odds with it.
Far more dreadful are social milieus, with their supple texture, their gossip, and their informal hierarchies. Flee all milieus. Each and every milieu is orientated toward the neutralization of some truth. Literary circles exist to smother the clarity of writing. Anarchist milieus to blunt the directness of direct action. Scientific milieus to withhold the implications of their research from the majority of people today. Particularly to be avoided are the cultural and activist circles. They are the old people’s homes where all revolutionary desires traditionally go to die. The task of cultural circles is to spot nascent intensities and to explain away the sense of whatever it is you’re doing, while the task of activist circles is to sap your energy for doing it. Activist milieus spread their diffuse web throughout the French territory, and are encountered on the path of every revolutionary development. They offer nothing but the story of their many defeats and the bitterness these have produced. Their exhaustion has made them incapable of seizing the possibilities of the present. Besides, to nurture their wretched passivity, they talk far too much and this makes them unreliable when it comes to the police. Just as it’s useless to expect anything from them, it’s stupid to be disappointed by their sclerosis. It’s best to just abandon this dead weight. All milieus are counter-revolutionary because they are only concerned with the preservation of their sad comfort.
Communes come into being when people find each other, get on with each other, and decide on a common path. The commune is perhaps what gets decided at the very moment when we would normally part ways. It’s the joy of an encounter that survives its expected end. It’s what makes us say “we,” and makes that an event. What’s strange isn’t that people who are attuned to each other form communes, but that they remain separated. Why shouldn’t communes proliferate everywhere? In every factory, every street, every village, every school. At long last, the reign of the base committees! Communes that accept being what they are, where they are. And if possible, a multiplicity of communes that will displace the institutions of society: family, school, union, sports club, etc. Communes that aren’t afraid, beyond their specifically political activities, to organize themselves for the material and moral survival of each of their members and of all those around them who remain adrift. Communes that would not define themselves — as collectives tend to do — by what’s inside and what’s outside them, but by the density of the ties at their core. Not by their membership, but by the spirit that animates them.
A commune forms every time a few people, freed of their individual straitjackets, decide to rely only on themselves and measure their strength against reality. Every wildcat strike is a commune; every building occupied collectively and on a clear basis is a commune; the action committees of 1968 were communes, as were the slave maroons in the United States, or Radio Alice in Bologna in 1977. Every commune seeks to be its own base. It seeks to dissolve the question of needs. It seeks to break all economic dependency and all political subjugation; it degenerates into a milieu the moment it loses contact with the truths on which it is founded. There are all kinds of communes that wait neither for the numbers nor the means to get organized, and even less for the “right moment” — which never arrives.
Excerpt from The Coming Insurrection by The Invisible Committee, from the intervention series published by Semiotext(e), Los Angeles, 2009. Originally published as L’Insurrection qui vient by éditions La Fabrique, paris, 2007.
[Table of contents]
editor’s letterRead the article
by Daniel Pinchbeck
by Paul B. Preciado
cover #1 cindy shermanRead the article
best of the season f/w 23-24
photography by Olivier Zahm
art or the possibility of the impossible
by Alain Badiou
cover #2 milla jovovich in gucci f/w 2023-24
photography by Cameron McCool
evgeny morozovRead the article
cover #3 aylah peterson in prada f/w 2023-24
photography by Reto Schmid
cover #4 john giornoRead the article
photography by Ethan Skaates
mariko mori, the unseen power of energetic fieldsRead the article
cover #5 margaret qualley in chanel f/w 2023-24
photography by Jeremy Everett
de wain valentineRead the article
cover #6 zegna x the elder statesman f/w 2023-24
photography by Olivier Zahm
interview by Oliver Zahm & Aleph Molinari
what climate collapse asks of us
by Bayo Akomolafe
cover #7 gabbriette in guess usa f/w 2023-24
photography by Richard Kern
cover #8 minttu vesala in balenciaga winter 2023
photography by Juergen Teller
cover #9 mariana arias in dior cruise 2024
photography by Olivier Zahm
cover #10 saskia de brauw in fendi f/w 2023-24
photography by Brett Lloyd
cover #11 caroline polachek in givenchy F/W 2023-24
photography by Kira Bunse
cover #12 carsten höllerRead the article
is there an angel in the ecosystem?
by Val Plumwood
anthea hamilton “mash up”Read the article
interview by Aleph Molinari
charles rayRead the article
cover #13 louis vuitton pre-fall 2023
photography by Takashi Homma
interview by Olivier Zahm & Aleph Molinari
hinako, the rubber queen of tokyo
interview by Bobbi Salvör Menuez
cover #14 hari nef
photography by Steven Klein
hour of the wolf
photography by Robi Rodriguez
the idiots revolution
by Byung-Chul Han
cover #15 melvil poupaud in dior men f/w 2023-24
photography by Ola Rindal
cover #16 marie-agnès gillot and charlotte dauphin in valentino f/w 2023-24
photography by Andrea Spotorno
cover #17 loro piana f/w 2023-24
photography by Dario Catellani
cover #18 emmanuelle lucianiRead the article
cover #19 sascha rajasalu in saint laurent f/w 2023-24
photography by Esther Theaker
interview by Daniel Pinchbeck
interview by Daniel Pinchbeck
“what can the body do?” with georgia bryan
photography by Dana Boulos
fashion factionRead the article
cover #20 moncler karakorum f/w 2023-24
photography by Henrik Purienne
find each other
By The Invisible Committee
cover #21 dash snowRead the article