[November 7 2021]
“The world needs to be de-pixelated,” says Swiss artist Thomas Hirschhorn, the creator of a cycle of works called the Pixel-Collage that run along a Purple wall, giving the exhibition it’s name.
Hirschhorn is looking for a state of sensitivity, given by a gaze that remains vigilant and aware of what is around it, without denying it. On the other hand, Hypersensitivity often leads to censorship that is paradoxically linked to self-protection and exclusion of the other. These works, created by recombining advertising photos alongside pictures of mutilated bodies, often create embarrassment in the viewer, making us reflect on a concept the artist has often expressed: the spread of hypersensitivity in the contemporary world.
On view now until 6 March 2022 at MAXXI
Via Guido Reni, 4a, 00196 Roma, Italy
Photos by Giorgio Benni
Hawkesworth Jamie
Tomoo Gokita “PEEKABOO” exhibition opening and after party at Tokyo Opera City...
Slutever
Sex Fashion
Balenciaga
Nigora in Los Angeles
See Yasmine Eslami’s new S/S 2018 swimwear campaign
BIRKENSTOCK BOX x Rick Owens Launch Party at Rick Owens, Los Angeles
Sofie in the Dutch fields
Martine Rose, S/S 2025, MFW
“Andy Warhol: Velvet Rage & Beauty” Exhibition at Neue Nationalgalerie Berlin, on...
DSQUARED2 S/S 2024 Film for PURPLE #41
William Eggleston
“Singularities” Exhibition of Philip Guston at Hauser & Wirth Zurich, on view...
“Wish You Were Gay” exhibition by Anne Imhof opens today at Kunsthaus...
Christophe Brunnquell and Estelle Hanania announce new book “La Guerre du feu”...
“Beyond Fashion” a fashion photography exhibition curated by Nathalie Herschdorfer, on view...
“Light Workers — RUN 15 — Game of Life — (Thank You...
© Purple Institute