[07/25/2017]
“Fontana ripped open the surfaces of his abstract paintings, bringing the space around them inside each one. A single slash or multiple cuts inscribed the surfaces with an effect that was both aggressive and aesthetic. As a theoretical artist, one might think that Fontana’s physical action corresponded to his ideas about the historical position of painting. But the elegance of the slashes — as the depth and diversity of the Gagosian exhibition made clear — revealed a more complicated sensuousness. Fontana transformed abstract painting into a complex tactile art of careful, rigorous beauty.” – argues JEFF RIAN in his essay on Lucio Fontana for Purple issue 18. Read the full text here!
On view until July, 29th 2017 at Galerie Karsten Greve, 5 rue Debelleyme, 75003 Paris.
Photo Inès Manai
Tom Wesselmann’s “Seascapes, Still Life, and Nudes” solo exhibition currently on view...
Surgery
Toland Grinnell
Alan Belcher
1F t’as quatre chansons
Laurent Faulon
Vanessa Beecroft
Gloria Toyum Park “She, Sublime”
Tilt
Hawkesworth Jamie
Tomoo Gokita “PEEKABOO” exhibition opening and after party at Tokyo Opera City...
Slutever
Sex Fashion
Balenciaga
Nigora in Los Angeles
See Yasmine Eslami’s new S/S 2018 swimwear campaign
BIRKENSTOCK BOX x Rick Owens Launch Party at Rick Owens, Los Angeles
Sofie in the Dutch fields
Tom Wesselmann’s “Seascapes, Still Life, and Nudes” solo exhibition currently on view...
Rose Wylie “Henri, Egypt…Bette, Bear” solo exhibition at David Zwirner, Paris
Jim Jarmusch & Alexandra Cabral Discuss Her Upcoming Feature Film, “The Story...
William Eggleston
“Études pour objets immobiles” group show at REGARD, Paris
Sylvie Fleury exhibition at Thaddeus Ropac, Salzburg
Stolen Nova perfomance last weekend at High Desert Art Fair in Pioneertown,...
Purple x Burberry 170th anniversary at La Poule au Pot to celebrate...
Purple x Burberry 170th anniversary at La Poule au Pot to celebrate...
© Purple Institute