heresy of witches

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film still from the anime Belladonna of Sadness, 1973, directed by Eiichi Yamamoto, mushi production, a psychedelic interpretation of Jules Michelet’s La Sorcière, all rights reserved

essay

by JULES MICHELET

French historian and writer Jules Michelet (1798-1874) is famous for La Sorcière (1862), the first historical investigation into witchcraft. His romantic, powerful style rehabilitates the persecuted figure of the witch as a symbol of feminine power, fighting against male political and religious domination. Celebrated by the second wave of feminists, the way he essentialized women is problematic for feminists today. Nevertheless, the opening of his book, reproduced here, is a powerful celebration of them.

It was said by Sprenger, before the year 1500, “Heresy of witches, not of wizards, must we call it, for these latter are of very small account.” And by another, in the time of Louis XIII: “To one wizard, ten thousand witches.” “Witches they are by nature.” It is a gift peculiar to woman and her temperament. By birth a fay, by the regular recurrence of her ecstasy she becomes a sibyl. By her love she grows into an enchantress. By her subtlety, by a roguishness often whimsical and beneficent, she becomes a Witch; she works her spells; does at any rate lull our pains to rest and beguile them.

All primitive races have the same beginning, as so many books of travel have shown. While the man is hunting and fighting, the woman works with her wits, with her imagination: she brings forth dreams and gods. On certain days she becomes a seeress, borne on boundless wings of reverie and desire. The better to reckon up the seasons, she watches the sky; but her heart belongs to earth none the less. Young and flower-like herself, she looks down towards the enamoured flowers, and forms with them a personal acquaintance. As a woman, she beseeches them to heal the objects of her love.

In a way so simple and touching do all religion and all science begin. Ere long everything will get parcelled out; we shall mark the beginning of the professional man as juggler, astrologer, or prophet, necromancer, priest, physician. But at first the woman is everything.

A religion so strong and hearty as that of Pagan Greece begins with the Sibyl to end in the Witch. The former, a lovely maiden in the broad daylight, rocked its cradle, endowed it with a charm and glory of its own. Presently it fell sick, lost itself in the darkness of the Middle Ages, and was hidden away by the Witch in woods and wilds: there, sustained by her compassionate daring, it was made to live anew. Thus, of every religion woman is the mother, the gentle guardian, the faithful nurse. With her the gods fare like men: they are born and die upon her bosom.

Alas! Her loyalty costs her dear. Ye magian queens of Persia; bewitching Circe; sublime Sibyl! Into what have ye grown, and how cruel the change that has come upon you! She who from her throne in the East taught men the virtues of plants and the courses of the stars; who, on her Delphic tripod beamed over with the god of light, as she gave forth her oracle to a world upon its knees; — she also it is whom, a thousand years later, people hunt down like a wild beast; following her into the public places, where she is dishonoured, worried, stoned, or set upon the burning coals!

For this poor wretch the priesthood can never have done with their faggots, nor the people with their insults, nor the children with their stones. The poet, childlike, flings her one more stone, for a woman the cruellest of all. On no grounds whatever, he imagines her to have been always old and ugly. The word “witch” brings before us the frightful old women of Macbeth. But their cruel processes teach us the reverse of that. Numbers perished precisely for being young and beautiful.

The Sibyl foretold a fortune, the Witch accomplishes one. Here is the great, the true difference between them. The latter calls forth a destiny, conjures it, works it out. Unlike the Cassandra of old, who awaited mournfully the future she foresaw so well, this woman herself creates the future. Even more than Circe, than Medea, does she bear in her hand the rod of natural miracle, with Nature herself as sister and helpmate. Already she wears the features of a modern Prometheus. With her industry begins, especially that queen-like industry which heals and restores mankind. As the Sibyl seemed to gaze upon the morning, so she, contrariwise, looks towards the west; but it is just that gloomy west, which long before dawn — as happens among the tops of the Alps — gives forth a flush anticipant of day.

Well does the priest discern the danger, the bane, the alarming rivalry, involved in this priestess of nature whom he makes a show of despising. From the gods of yore she has conceived other gods. Close to the Satan of the Past we see dawning within her a Satan of the Future.

The only physician of the people for a thousand years was the Witch. The emperors, kings, popes, and richer barons had indeed their doctors of Salerno, their Moors and Jews; but the bulk of people in every state, the world as it might well be called, consulted none but the Saga, or wise-woman. When she could not cure them, she was insulted, was called a Witch. But generally, from a respect not unmixed with fear, she was called good lady or fair lady (belle dame — bella donna, the very name we give to the fairies.

Soon there came upon her the lot which still befalls her favourite plant, belladonna, and some other wholesome poisons which she employed as antidotes to the great plagues of the Middle Ages. Children and ignorant passers-by would curse those dismal flowers before they knew them. Affrighted by their questionable hues, they shrink back, keep far aloof from them. And yet among them are the comforters (Solaneæ) which, when discreetly employed, have cured so many, have lulled so many sufferings to sleep.

You find them in ill-looking spots, growing all lonely and ill-famed amidst ruins and rubbish-heaps. Therein lies one other point of resemblance between these flowers and her who makes use of them. For where else than in waste wildernesses could live the poor wretch whom all men thus evilly entreated; the woman accursed and proscribed as a poisoner, even while she used to heal and save; as the betrothed of the Devil and of evil incarnate, for all the good which, according to the great physician of the Renaissance, she herself had done? When Paracelsus, at Basle, in 1527, threw all medicine into the fire, he avowed that he knew nothing but what he had learnt from witches.

This was worth a requital, and they got it. They were repaid with tortures, with the stake. For them new punishments, new pangs, were expressly devised. They were tried in a lump; they were condemned by a single word. Never had there been such wastefulness of human life. Not to speak of Spain, that classic land of the faggot, where Moor and Jew are always accompanied by the Witch, there were burnt at Trèves seven thousand, and I know not how many at Toulouse; five hundred at Geneva in three months of 1513; at Wurtzburg eight hundred, almost in one batch, and fifteen hundred at Bamberg; these two latter being very small bishoprics! Even Ferdinand II, the savage Emperor of the Thirty Years’ War, was driven, bigot as he was, to keep a watch on these worthy bishops, else they would have burned all their subjects. In the Wurtzburg list I find one Wizard a schoolboy, eleven years old; a Witch of fifteen: and at Bayonne two, infernally beautiful, of seventeen years.

Mark how, at certain seasons, hatred wields this one word Witch, as a means of murdering whom she will. Woman’s jealousy, man’s greed, take ready hold of so handy a weapon. Is such a one wealthy? She is a Witch. Is that girl pretty? She is a Witch. You will even see the little beggar-woman, La Murgui, leave a death-mark with that fearful stone on the forehead of a great lady, the too beautiful dame of Lancinena.

The accused, when they can, avert the torture by killing themselves. Remy, that excellent judge of Lorraine, who burned some eight hundred of them, crows over this very fear. “So well,” said he, “does my way of justice answer, that of those who were arrested the other day, sixteen, without further waiting, strangled themselves forthwith.” […]

Neither do I find that the moderns have made much inquiry into the moral chronology of witchcraft. They cling too much to the connection between antiquity and the Middle Ages; connection real indeed, but slight, of small importance. Neither from the magician of old, nor the seeress of Celts and Germans, comes forth the true Witch. The harmless “Sabasies” (from Bacchus Sabasius), and the petty rural “Sabbath” of the Middle Ages, have nothing to do with the Black Mass of the fourteenth century, with the grand defiance then solemnly given to Jesus. This fearful conception never grew out of a long chain of tradition. It leapt forth from the horrors of the day.

At what date, then, did the Witch first appear? I say unfalteringly, “In the age of despair”: of that deep despair which the gentry of the Church engendered. Unfalteringly do I say, “The Witch is a crime of their own achieving.”

I am not to be taken up short by the excuses which their sugary explanations seem to furnish. “Weak was that creature, and giddy, and pliable under temptation. She was drawn towards evil by her lust.” Alas! In the wretchedness, the hunger of those days, nothing of that kind could have ruffled her even into a hellish rage. An amorous woman, jealous and forsaken, a child hunted out by her step-mother, a mother beaten by her son (old subjects these of story), if such as they were ever tempted to call upon the Evil Spirit, yet all this would make no Witch. These poor creatures may have called on Satan, but it does not follow that he accepted them. They are still far, ay, very far from being ripe for him. They have not yet learned to hate God.

For the better understanding of this point, you should read those hateful registers which remain to us of the Inquisition, not only in the extracts given by Llorente, by Lamothe-Langon, etc, but in what remains of the original registers of Toulouse. Read them in all their flatness, in all their dryness, so dismal, so terribly savage. At the end of a few pages you feel yourself stricken with a chill; a cruel shiver fastens upon you; death, death, death, is traceable in every line. Already you are in a bier, or else in a stone cell with mouldy walls. Happiest of all are the killed. The horror of horrors is the In pace. This phrase it is which comes back unceasingly, like an ill-omened bell sounding again and again the heart’s ruin of the living dead: always we have the same word, “Immured.”

END

EXCERPT FROM LA SORCIÈRE: THE WITCH OF THE MIDDLE AGES  BY JULES MICHELET, TRANSLATED BY L.J. TROTTER (LONDON: SIMPKIN, MARSHALL, AND CO., 1863). FIRST PUBLISHED IN FRENCH BY E. DENTU LIBRAIRE–ÉDITEUR, 1862.