[11/20/2017]
“2017, Blow Up 93 and Maryon Park … What do they represent? There is a book published by onestarpress (2017) with photos of the park taken in 2007 and 2014. An enlarged black-and-white contact sheet of a couple, a man and a woman. The man wears white jeans like the protagonist of Antonioni’s movie Blow Up, who ends up shirtless in his studio while wrestling with two models. Three other images: two women on a bed and two fuzzy faces of children that remind us of memories that are becoming vague and increasingly inaccurate. All this in black and white dated 1993. This exhibition is an abstract link to Michelangelo Antonioni’s cult film, that won Cannes’ golden palm in 1967, just 50 years ago.” – Giasco Bertoli
On view until December 9th, 2017 at Mannerheim Gallery, 6 rue Notre-Dame de Nazareth, 75003 Paris.
Text Giasco Bertoli and photo Cosimo Fanciullacci
Leonora Carrington “The Symptomatic Surreal” exhibition at The Freud Museum, London
Sound and Image, Self and Place (interview with Doug Aitken)
Forest and Trees
Midi Sous Terre (scénario)
Abstractive Houses
Ou bien, ou bien
Photos
Demented in the Future-Present (interview with Miltos Manetas)
Atami Mood
Hawkesworth Jamie
Tomoo Gokita “PEEKABOO” exhibition opening and after party at Tokyo Opera City...
Slutever
Sex Fashion
Balenciaga
Nigora in Los Angeles
See Yasmine Eslami’s new S/S 2018 swimwear campaign
BIRKENSTOCK BOX x Rick Owens Launch Party at Rick Owens, Los Angeles
Sofie in the Dutch fields
Leonora Carrington “The Symptomatic Surreal” exhibition at The Freud Museum, London
Massimo Dutti presents its universe in Paris with a multi cultural pop-up...
Jim Jarmusch & Alexandra Cabral Discuss Her Upcoming Feature Film, “The Story...
William Eggleston
Planned Parenthood of Greater New York celebrated their intimate Spring Into Action...
Kyotographie 2026 International Photography Festival in Kyoto, Japan
“Agnès Varda, De-ci de-là, Paris-Rome” show at Villa Médicis, Rome
Intimate story “Maïa in Athens” shot by Charles Serre
Miriam Cahn’s solo show “Still Leben” at Galerie Jocelyn Wolff, Paris
© Purple Institute