[November 9 2024]
“Desire” offers a compelling exploration of the mechanized aesthetics underlying modern life. Thunder’s canvases, emerging from photos of gym equipment and junked vehicles, transform into monumental, totemic forms suspended in soft gray atmospheres. These shadowed zones evoke a liminal space between embodiment and erasure, where machinery’s inhuman presence hints at centuries old human desires and anxieties. Each piece, named after a person, becomes a haunting almost-portrait — a paradox of self-seeking perfection or dissolution into a technocratic world. Echoes of Picabia’s mechanistic whimsy linger, yet Thunder’s work pulses with contemporary urgency, suggesting a seductive dance between freedom and submission to the machinery.
© Purple Institute