[April 6 2016]
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"Perfect Vehicules" by Allan McCollum
In the beginning there was a proposal made by Claude Rutault to Allan McCollum to paint over a Collection of Plaster Surrogates by McCollum (1988) in the same color as the wall where it hangs.
In the beginning a proposal was made. To paint over the already painted. To cover-up plaster and enamel. But in reality it’s much more than just a proposal; we are actually dealing with a new form of Rutault’s définitions/méthodes, a term used by the artist to designate the texts which establish the “existence conditions”*1 of his works. With “A Vendre, Exposition” at mfc-michèle didier gallery, Rutault pushes painterly gesture to the extreme, questioning the limits of a collaborative work and flouting the concept of artistic paternity in order to widen his scope of possibilities. Subsequently, original and individual titles seem no longer relevant.
Read our interview with legendary French painter Claude Rutault and his friend the equally legendary American conceptual artist Lawrence Weiner in Purple. Click here to read
On view until June 18th, 2016, at Mfc – Michele Didier Gallery, 66 rue Notre-Dame de Nazareth, 75003 Paris.
Photo Inès Manai
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“FEMMES” group exhibition curated by Pharrell Williams at Perrotin Paris
Duran Lantink’s “Liquified Room” Installations at Dover Street Market NY & LA
Panconesi launches “Facets” a series of a 9 short films, celebrating the...
William Eggleston
Thomas Lélu’s “You Deci D e” exhibition at A1043 Gallery Paris
VAILLANT Dinner during PFW at Bistrot Minim’s
Ann Demeulemeester F/W 2025, PFW
Alessandra Rich Dinner during PFW at Caviar Kaspia
Sacai F/W 2025, PFW
Claude Rutault opening at Galerie Perrotin, New York
Claude Rutault and Lawrence Weiner
Claude Rutault’s permanent installation “à vous de jouer” (It is up to...
Lucio Fontana “Crosses” exhibition at Galerie Karsten Greeve, Paris
Claude Parent
Michel Houellebecq
George Condo
Highlights from FIAC 2016 (Part I) at the Grand Palais, Paris
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© Purple Institute