interview
by OLIVIER ZAHM
portrait
by CHIKASHI SUZUKI
Tomoo Gokita’s paintings draw inspiration from Japanese subcultural references — vintage magazines, film stills, adult publications, and found images — transforming them into a symbolic and enigmatic visual language that deconstructs identity and narcissism.
OLIVIER ZAHM — Would you agree that your paintings smile at us ironically?
TOMOO GOKITA — I completely agree. I want people to laugh all the time.
OLIVIER ZAHM — Are painted people more interesting to you than real people?
TOMOO GOKITA — I think real people are crazier and more dangerous.
OLIVIER ZAHM — Do you like French Surrealists?
TOMOO GOKITA — I’m not particularly interested in Surrealism, but I find it interesting that so many people point out the similarities with my work.
OLIVIER ZAHM — Do you collect vintage comics and magazines?
TOMOO GOKITA — Ten years ago, I stopped buying magazines…
Tomoo Gokita, how to do handstand pose, 2022, acrylic on paper, 12 1/2 x 9 3/8 inches, photo kenji takahashi
Tomoo Gokita, nancy, 2011, acrylic gouache on canvas, 88 1/2 x 71 5/8 inches, photo kenji takahashi
Tomoo Gokita, water place, 2022, acrylic on paper, 12 1/2 x 9 3/8 inches, photo kenji takahashi
Tomoo Gokita, idol with the goldenhead, 2008, gouache on canvas, 76 3/8 x 63 3/4 inches, photo takashi orii