VISUAL ESSAY by BÁRBARA SÁNCHEZ-KANE
the mexican artist and fashion designer created a project for purple future, titled body fillers and plastified diets: undressing our bodies to nourish our future — a case study on the plastification of our bodies and the fight for water.
The steam from the hot springs indicated to the Purépecha, the native inhabitants of Michoacán, the presence of Kwerawáperi, the goddess of rain and consequently of life. Sacrificial hearts were placed in these springs to announce to the deity a lack of rain.
Human hunger extended from stomachs to the empire; on top of the taming of plants and animals, water has been channeled to subdue its fluctuating nature. Great lakes and rivers that indicated the promised land of Tenochtitlán were tubbed underground, replaced by four-lane roads: the realm of the underworld was replaced by a sewage system.
Under human rule, Mictlán was transformed into a labyrinth of pipes, throwing us into today’s Anthropocene. Deceived by capital and the desire for material accumulation, we have offered our cavities to waste. Because of our biological nature, mutation was inevitable. In Mexico, only 37% of contaminated water is purified, and the rest is basically re-ingested, providing us with the fecal diet that places diarrhea as the most common intestinal condition in the country, with an estimated 5,521 cases per 100,000 inhabitants.
Then there’s the plasticized diet: we ingest microplastics through seafood and vegetables, but above all from water. The University of Newcastle in Australia estimates that we consume five grams of plastic — approximately one credit card — per week. It was only a matter of time before our bodies mimicked the urban landscape we have designed for generations.
The extraction of these protrusions welcomes us to a world in which we depend on the infertility of plastic. We went from offering hearts to offering buckets. We have been transformed into injection molds that fulfill the obscure need for the transportation, collection, and accumulation of vital liquids. Of the petrichor, there remains only a memory in which, lost in the labyrinth, we give ourselves to the holy water to get away from hell. In reality, these subterranean roads are meant for getting lost, not being found.
Bárbara Sánchez-Kane, photography — David Melgoza Macías, 3D artwork — Victor Moreno López, illustration — Mercedes Gómez González, text
[Table of contents]
a purple future
by Daniel Pinchbeck
cover #1 ram han
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the fragile skin of the world
by Jean-Luc Nancy
the future is everywhere
by Emanuel Coccia
the sources of time
by Carlo Rovelli
artificial intelligence the eclipse of human discretion
by Adam Greenfield
individual future and collective future
by Marc Augé
what will we eat?
by Grace Denis
acid communism
by Mark Fisher
best of the season s/s 2022
by Haley Wollens
cover #2 loewe s/s 2022
Read the articlecover #3 fendi s/s 2022
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jon rafman
by Aleph Molinari and Olivier Zahm
cover #4 jon rafman
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cyber porn punk
by Ada Navarro
saint laurent s/s 2022
by Haromony Korine
cover #5 saint laurent s/s 2022
Read the articlecover #6 saint laurent s/s 2022
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tobias spichtig
by Olivier Zahm
balenciaga summer 2022
by Juergen Teller
cover #7 balenciaga summer 2022
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paul b. preciado
by Olivier Zahm
bottega veneta s/s 2022
by Bruno Staub
cover #8 bottega veneta s/s 2022
by Bruno Staub
comme des garçons s/s 2022
by Takashi Homma
cover #9 comme des garçons s/s 2022
by Takashi Homma
gaspar claus
by Aleph Molinari
tetanized inertia
by Jean Baudrillard
is there another future for fashion?
by Marta D. Riezu
fantastic planet
by Roland Topor
courrèges s/s 2022
by Henrik Purienne
cover #10 courrèges s/s 2022
by Henrik Purienne
the will to power as disappearance
by Hakim Bey
the genesis machine
by Caroline Vreeland
for the world to come
by The Invisible Committee
body fillers and plastified diets
by Bárbara Sánchez-Kane
lovotic by soundwalk collective, charlotte gainsbourg
by Olivier Zahm
lovotic by soundwalk collective, paul b. preciado
by Paul B. Preciado
pierre huyghe
by Jérôme Sans and Olivier Zahm
chanel s/s 2022
by Philippe Jarrigeon
cover #11 chanel s/s 2022
by Philippe Jarrigeon
eliza douglas
by Olivier Zahm
cover #12 eliza douglas
by Olivier Zahm
demna
by Olivier Zahm
louis vuitton s/s 2022
by Kristina Nagel
cover #13 louis vuitton s/s 2022
by Kristina Nagel
imre and marne van opstal
by Olivier Zahm and Aleph Molinari
givenchy s/s 2022
by Markn and Brigita Žižytė
cover #14 givenchy s/s 2022
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miu miu s/s 2022
by Casper Sejersen
cover #15 miu miu s/s 2022
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george rouy
by Olivier Zahm
loewe s/s 2022
by Colin Dodgson
cover #16 loewe s/s 2022
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julia watson
by Anfisa Vrubel and Aleph Molinari
hyd
by Bobbi Salvör Menuez
mechanophilia
by Sandy Kim
celine s/s 2022
by Olivier Zahm
cover #17 celine s/s 2022
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french afro futurism
by Suffo Moncloa
cover #18 calvin klein jeans s/s 2022
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vanmoof bikes by purple
by Mathias Kiss, Nina Kraviz, André Saraiva and Mei
cover #19 vanmoof bikes
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algorithmic survivalism
by Moni Haworth
t.j. demos
by Aleph Molinari and Anfisa Vrubel
makoto azuma
by Aleph Molinari
interspecifics
by Aleph Molinari
rené daumal
by Boris Bergmann
mount analogue by philippe parreno
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the only person with a plan
by Vivienne Westwood