Purple emerged alongside a new generation of French artists, including Pierre Joseph, Philippe Parreno, Bernard Joisten, Pierre Huyghe, and Dominique Gonzalez-Foerster, who often worked together on collaborative projects. Dominique played a key role in the beginning of Purple, helping us to conceive a magazine by, for, and about artists, and also curating shows.
In this interview, she talks about the origins of Purple and the shows we organized together, including “June” (1993), “Winter of Love” (1994), and “Elysian Fields” (2000), as well as the evolution of her prolific work, from installations to music, films, and performances.
DOMINIQUE GONZALEZ-FOERSTER AND CAMILLE VIVIER, GORGONE I (APPARITION), 2021, HAIR, MAKE-UP, AND JEWELS BY MÉLANIE GERBEAUX, COURTESY OF THE ARTISTS AND SECESSION, VIENNA, COPYRIGHT ADAGP, PARIS, 2022
L’HIVER DE L’AMOUR, 1994: DIKE BLAIR, PERFORMANCE
L’HIVER DE L’AMOUR, 1994: VIKTOR & ROLF, INSTALLATION/JAN VAN OOST, SANS TITRE, 1993, COURTESY AIR DE PARIS
L’HIVER DE L’AMOUR, 1994: GENERAL IDEA, FIN DE SIÈCLE, 1990, INSTALLATION VIEW, EXPANDED POLYSTYRENE WITH THREE STUFFED FAUX SEAL PUPS, ACRYLIC, GLASS, AND STRAW, PHOTO REINHARD TRUCKENMÜLLER
L’HIVER DE L’AMOUR, 1994: WOLFGANG TILLMANS INSTALLING HIS WORKS