DIAGRAMS OF PEACE
Hilma af Klint (1862–1944) believed that painting could make the invisible visible. Long before abstract art became a movement, she created a secret body of work composed of luminous colors, spirals, circles, symbols, and sacred geometries that she saw as the language of unseen forces. For af Klint, art was not about representation or style; it was a spiritual discipline, a way of translating higher levels of consciousness into visual form.
Although she never spoke of peace as a political program, her work proposes another understanding of it: peace begins within. It emerges from the reconciliation of apparent opposites — matter and spirit, feminine and masculine, science and mysticism, the intimate and the cosmic.
Influenced by spiritual movements such as Theosophy and later Anthroposophy, she believed humanity was evolving toward a more enlightened consciousness. Her monumental series The Paintings for the Temple imagines art as…
Hilma Af Klint, Colombe, No. 2, 1915, oil on canvas, 61 1/4 x 45 1/2 inches
Photograph of Hilma Af Klint, c. 1901
Hilma Af Klint, The Ten Largest, No. 9 (Old Age), 1907, Tempera On Paper Mounted On canvas, 126 x 93 3/4 inches
Hilma Af Klint, the ten largest, no. 6 (adulthood), 1907, tempera on paper mounted on canvas, 124 x 92 1/4 inches