DAZZLING PARIS
photography
by OLIVIER ZAHM
I photographed the paintings of John Singer Sargent (1856–1925) at the exhibition “Sargent: Dazzling Paris” in the Musée d’Orsay, using no additional lighting and an analog camera — as if I were shooting fashion models. The idea was to confront the language of painting with that of fashion photography, and to reveal how contemporary fashion imagery is still — and often unconsciously — influenced by figurative painting from the fin de siècle and Belle Époque.
Considered one of the greatest portraitists of his time, the American painter forged his style and artistic persona in Paris, absorbing the currents of naturalism and Impressionism. He moved effortlessly through French society, forming close relationships with artists, writers, and patrons. In 1884, he fled to London after his portrait Madame X provoked scandal. Criticized as excessively sensual — with the pale skin, daring décolletage, and averted…
John Singer Sargent in his studio with the painting madame x, c. 1884, albumen silver print, 7 7/8 x 10 3/8 inches, original photo Adolphe Gi
John Singer Sargent, madame x (madame pierre gautreau), 1883–84, oil on canvas, 95 3/4 x 56 5/8 x 5 inches, copyright the metropolitan museum of art, dist. grandpalaisrmn / image art resource
John Singer Sargent, madame paul escudier (louise lefevre), 1882, oil on canvas, 51 x 36 inches
John Singer Sargent, la carmencita, c. 1890, oil on canvas, 90 3/16 x 55 1/8 inches