Since the ’90s, Purple has been profoundly inspired by Japan, which, in turn, has warmly embraced the magazine. This exchange has continued throughout the magazine’s history, from the first Comme des Garçons campaigns featured in Purple to the many Japanese artists interviewed and the countless fashion shoots in Japan by photographers — from Nobuyoshi Araki to Takashi Homma, from Daido Moriyama to Chikashi Suzuki. We have never done an issue solely about Japan — until now. This issue, devoted to contemporary Japan, is framed as a Tokyo diary. A fragmented vision of Japan as a boundless source of inspiration. Nearly a hundred topics form what is the most comprehensive issue we’ve ever produced, with a typeface created by Gianni Oprandi as a tribute to the iconic photo magazine Provoke.
Japan no longer symbolizes the future as it did until the 2000s, before China surpassed it with its endless megacities, and California took the lead in turning a futuristic dream into an artificial intelligence dystopia. But Japan remains an unmatched source of artistic inspiration, as Wim Wenders tell us in his interview.
What does Japan bring us? What does it teach us that is so special, and more vital today than at any other time? First, a universal lesson in pacifism. Despite American pressure for Japan to rearm in the face of China and North Korea, it remains the only nation to have adopted — initially under constraint and now out of popular desire — a clear pacifist position, enshrined in its 1947 Constitution. This is rare enough to be worth highlighting, and so we conclude the magazine with an evocation of John Lennon’s long stays in Karuizawa and his discovery of the peaceful wabi-sabi philosophy.
In a world saturated with information designed to capture and monetize our attention via screens steering us away from our true desires, Japan is a country that continually brings us back to the essentials. Even in a fleeting visit, even in the midst of Tokyo’s sea of signs, Japan lets us rediscover what truly matters and where our inner focus should lie.
The archipelago, in its paradoxical way, frees us from the Western obsession with the ego through its respect for tradition, its extreme politeness, and its love of intimacy. It encourages a kind of “de-individualism.” It takes us into a different space-time, one that stretches the limits of the self and softens our narcissistic impulses. This country opens up a creative possibility: to leave behind the static ground of our individualistic habits and certainties, and embrace a radical otherness, a “symbolic system unlike anything we know.” Roland Barthes captures it best: “a certain shaking of the self, a reversal of old readings, a rupture of meaning, torn and exhausted to its unreplaceable void” (see the introductory text excerpted from Empire of Signs). An example of self-surrender: the art of the shibari master, Hajime Kinoko, requires complete trust in the one who ties the ropes around your body and suspends you in the air, above the void within yourself.
Japan is, above all, a great fashion nation. It’s a country where the boldest fashion thrives alongside the most minimalist aesthetics, all guided by an unmatched mastery of detail, tailoring, and fabrics (see the features on Kei Ninomiya, Tomo Koizumi, and Jun Takahashi). Designers from around the world come here in search of untainted creativity.
Another lesson from Japan lies in its acceptance of catastrophe. From the haunting memories of the Hiroshima and Nagasaki bombings to the tragedy of Fukushima, from earthquakes to typhoons, the Japanese live with constant awareness of being between disasters. But they don’t just endure this chaotic reality; they turn it into wisdom and awareness — even though Japan is far from being the ecological paradise one might imagine, given the untouched beauty of its landscapes (see the interview with the writer Ryoko Sekiguchi).
Japan is also a harmony of opposites, a fascinating integration of life and death, even within the seemingly superficial realm of fashion. Look to Rei Kawakubo’s hauntingly bloodstained Spring/Summer 2025 collection, or to the monumental Kazuo Ohno and butoh, the dance
of darkness that ignites silence and visceral movements.
And maybe the most profound lesson Japan offers: an obsession with perfection that isn’t about reaching a final goal but about continuously pushing the limits of what’s possible. Japanese artists embrace an extremism that knows no bounds, where perfection becomes a playful exploration of infinite possibilities, sometimes even humor hidden behind radicality. Take a look at Takuro Kuwata’s explosive ceramic sculptures.
Japan, both in its art and daily life, is a magical place where the extraordinary rises from the ordinary. A ceramic piece, a small bar, a bouquet, a face, sex, a dish, striking architecture, the tiny plants surrounding a vending machine… The extraordinary hides in the details, and the everyday becomes a form of art.
— Olivier Zahm
[Table of contents]
editor’s letter
Read the article
empire of signs
by Roland Barthes
cover #1 takashi murakami
interview by Jérôme Sans
takashi murakami
interview by Jérôme Sans
ryoko sekiguchi
interview by Mark Alizart and Olivier Zahm
cover #2 motoko ishibashi
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motoko ishibashi
interview by Aleph Molinari
atsuko tanaka
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sexual assault breaking the silence
by Karyn Nishimura-Poupée
juergen teller and nobuyoshi araki
Subscriptionchiho aoshima
Subscriptionhajime sawatari
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suwa nagano
by Stéphane Sednaoui
fetish magazines
by Katerina Jebb
tadanoori yokoo
text by André Michel
kazumi asamura hayashi
Subscriptionkeiichi tanaami
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fumihiro hayashi
text by Olivier Zahm
nobuyoshi araki
portrait by Chikashi Suzuki
tomoo gokita
interview by Olivier Zahm
cover #4 tomoo gokita
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loewe s/s 2025
photography by Suffo Moncloa
hajime sorayama
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my father
by Rick Owens
announcement to humanity
by Ryoko Sekiguchi
cover #3 katerina jebb
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cover #5 loewe s/s 2025
photography by Suffo Moncloa
masahisa fukase
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hajime kinoko
interview by Olivier Zahm
raiki yamamoto
Subscriptioncover #6 masahisa fukase
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kunichi nomura
text by Aaron Rose
aya takano
Subscriptiontomoyo kawari
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masaru hatanaka
interview by Aleph Molinari
why japan?
by Urs Fischer, Ramdane Touhami, Stéphane Sednaoui
cover #8 esther rose-mcgregor in valentino s/s 2025
photography by Hart Lëshkina
why japan?
by Helmut Lang
minoru nomata
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in praise of shadows
by Jun'ichirō Tanizaki
best of the season s/s 2025
photography by Takashi Homma
purple beauty nails
by Mei Kawajiri
ryūichi sakamoto
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valentino s/s 2025
photography by Hart Lëshkina
nobuyoshi araki
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cover #10 bottega veneta
photography by Nikolai von Bismarck
balenciaga s/s 2025
photography by Juergen Teller
kazuo ohno
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cover #7 prada s/s 2025
photography by Takashi Homma
butoh the dance of darkness
photography by Nikolai von Bismarck
cover #9 balenciaga s/s 2025
photography by Juergen Teller
tomihiro kono
photography by Joe Lai
cover #12 comme des garçons s/s 2025
photography by Ola Rindal
comme des garçons s/s 2025
photography by Ola Rindal
cover #11 nobuyoshi araki
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chanel s/s 2025
photography by Chikashi Suzuki
the japanese lessons we refuse to learn
by Daido Moriyama
dualité by brioni and lalique
photography by Olivier Zahm
pink eiga
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cover #18 sakura andō in chanel s/s 2025
photography by Chikashi Suzuki
noritoshi hirakawa
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tomo koizumi
photography by Chikashi Suzuki
trails
by Takashi Homma
koji kimura
by André Michel
cover #13 dualité by brioni and lalique
photography by Olivier Zahm
daido moriyama
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erotica
by Olivier Zahm
purple story
Read the articletakuro kuwata
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cover #16 saint laurent by anthony vaccarello s/s 2025
photography by Takashi Homma
setsuko klossowska de rola
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cover #15 paul & joe
photography by Olivier Zahm
why japan?
by Coco Capitán
alejandro garcia contreras
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casablanca s/s 2025
photography by Keizo Motoda
why japan?
by Stefano Pilati
saint laurent by anthony vaccarello s/s 2025
photography by Takashi Homma
why japan?
by André
best of men s/s 2025
Photography by Kejichi Nitta
kei ninomiya
interview by Olivier Zahm
anders edström
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zen gardens
by Takashi Homma
wabi-sabi spiritual values
by Leonard Koren
wim wenders
interview by Olivier Zahm and Aleph Molinari
miu miu s/s 2025
photography by Coco Capitán
ruth asawa
Subscriptionkazuyo sejima
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waves
by Takashi Homma
jun takahashi
interview by Aleph Molinari
cover #14 casablanca s/s 2025
photography by Keizo Motoda
kumiko
by Anna Dubosc
yōko yamanaka
interview by Olivier Zahm
mariko mori
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cover #17 miu miu s/s 2025
photography by Coco Capitán
the tokyo toilet
by Koji Yanai
ann lee in anzen zone
by Dominique Gonzalez-Foerster
young designers s/s 2025
Photography by Dasom Han
kenshu shintsubo
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why japan?
by Setsuko
the original hotel okura
by Valerie Sadoun
kyoto international conference center
by Sachio Otani
tadashi kawamata
interview by Aleph Molinari
purple beauty make-up
photography by Eamonn Zeel Freel
self-portrait
Takashi Homma
kids
by Takashi Homma
hideaki kawashima
Subscriptionyoshitomo nara
Subscriptionyasujirō ozu
Subscriptionthe isamu noguchi garden museum
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yoko and john in karuizawa
by François Simon
by Roland Barthes
interview by Jérôme Sans
interview by Jérôme Sans
interview by Mark Alizart and Olivier Zahm
interview by Aleph Molinari
by Karyn Nishimura-Poupée
by Katerina Jebb
text by André Michel
text by Olivier Zahm
interview by Olivier Zahm
photography by Suffo Moncloa
photography by Suffo Moncloa
by Rick Owens
by Ryoko Sekiguchi
by Stéphane Sednaoui
interview by Olivier Zahm
portrait by Chikashi Suzuki
text by Aaron Rose
interview by Aleph Molinari
by Urs Fischer, Ramdane Touhami, Stéphane Sednaoui
by Helmut Lang
photography by Takashi Homma
photography by Takashi Homma
by Mei Kawajiri
photography by Hart Lëshkina
photography by Hart Lëshkina
photography by Joe Lai
photography by Juergen Teller
photography by Juergen Teller
photography by Nikolai von Bismarck
photography by Nikolai von Bismarck
photography by Ola Rindal
photography by Ola Rindal
by Jun'ichirō Tanizaki
photography by Olivier Zahm
photography by Olivier Zahm
photography by Keizo Motoda
photography by Keizo Motoda
photography by Chikashi Suzuki
by Takashi Homma
by André Michel
by Daido Moriyama
by Olivier Zahm
by Stefano Pilati
by Coco Capitán
photography by Olivier Zahm
photography by Takashi Homma
photography by Takashi Homma
by André
Photography by Kejichi Nitta
interview by Olivier Zahm
by Takashi Homma
by Leonard Koren
photography by Coco Capitán
photography by Coco Capitán
by Takashi Homma
interview by Aleph Molinari
interview by Olivier Zahm
by Anna Dubosc
photography by Chikashi Suzuki
photography by Chikashi Suzuki
interview by Olivier Zahm and Aleph Molinari
by Koji Yanai
by Dominique Gonzalez-Foerster
Photography by Dasom Han
by Setsuko
by Valerie Sadoun
by Sachio Otani
interview by Aleph Molinari
photography by Eamonn Zeel Freel
Takashi Homma
by Takashi Homma
by François Simon