a retrospective at Moca, Los Angeles
text by JEFF RIAN
It is as if Shrek and Don Quixote engendered the cosmic esprit of Swiss artist Urs Fischer, born in 1973, exhibiting since the 1990s. For his massive, must-see retrospective at LA MOCA, Fischer rammed huge holes in walls, made countless figurative works in gray clay, huge and small, by himself and with 1,500 amateurs. He set plastic skeletons on furniture and a washing machine, built a dilapidated orange fairy-tale cabin, sculpted blue raindrops, hung huge mirrors, and collaged what he calls “problem paintings” with photographs and materials too varied to describe. So much of it is gray; yet all of it is as lively and provocative as a genius child artist, which of course can only exist in a genius child adult.
Installation view of Urs Fischer at MOCA Grand Avenue and the Geffen Contemporary at MOCA, 2013, photo by Stefan Altenburger Copyright Urs Fischer, courtesy of the artist and the MOCA, Los Angeles
Installation view of Urs Fischer at MOCA Grand Avenue and the Geffen Contemporary at MOCA, 2013, photo by Stefan Altenburger Copyright Urs Fischer, courtesy of the artist and the MOCA, Los Angeles
[Table of contents]
Roland Barthes The Rustle of Language
by Camille Bidault-Waddington
night pictures
by Olivier Zahm and Stéphane Feugère with a portfolio by Patrick Sarfati
by Glenn O'Brien
by Olivier Zahm
by Luca Lo Pinto
by Olivier Zahm
by Olivier Zahm
by Donatien Grau
by Olivier Zahm
by Camille Bidault-Waddington
by Mario Sorrenti
by Paolo Roversi
by Sandy Kim
by Katerina Jebb
Kacper Kasprzyk
by Marcelo Krasilcic
by Terry Richardson
by Chikashi Suzuki
by Johan Sandberg
by Olivier Zahm
by Olivier Zahm
by Ken Miller
by Jeffrey Deitch
by Olivier Zahm
by Ed and Deanna Templeton