[November 12 2013]
Rosemarie Trockel’s latest body of work subverts ideas of technique and femininity. Paintings composed of wool, one of Trockel’s most well known materials, create a deceptive new mode for traditional formats in art. Elsewhere in the space, what appears to be a large sofa covered in a plastic sheet is actually a cast sculpture. Again, Trockel deceives the viewer and the expectation for materials. The artist’s actions can go easily undetected without further examination and serve as a statement on mass production and craft. On view through December 21st 2013 at Gladstone Gallery, 515 West 24th Street, New York. Photo and text Juliana Balestin
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