[09/06/2022]
“ It started in Paris toward the end of 1989. I was looking for an art critic to write something for me, and a friend suggested Olivier Zahm. I was 21, he was 26. From the first day, it was love. Over the months that followed, we started to travel a lot, to New York, to Cologne. We hung out with artists — French, American, German — and we went to so many exhibitions, saw so many films, by David Lynch, by Jean-Luc Godard. Life was light, carefree.
Olivier lived in Paris’s third arrondissement, near the Centre Pompidou. I lived in the sixth, on Rue des Saints-Pères. He wrote about art for magazines like Flash Art and Artform. I was a young art collector and had just organized my first little exhibition.”
Excerpt of an essay by Elein Fleiss to discover in our Purple 30yrs Issue.
Purple #44 – The Analog Issue – Playlist #5 by Matières Fécales
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Purple #44 – The Analog Issue – Playlist #5 by Matières Fécales
“HELMUT LANG. SÉANCE DE TRAVAIL 1986–2005” exhibition opens tomorrow at the MAK...
Purple presents Nike Shox Z, directed by Alexandra Cabral
William Eggleston
Last week, Foc Kan released his new book “80’s Paris Nights” with...
Last days of Christophe Brunnquell’s sculptural furniture is currently at Design Miami...
Doug Aitken’s “UNDER THE SUN” solo exhibition opens tomorrow at the Nita...
Michella Bredahl’s solo show “Rooms We Made Safe” is currently on view...
Cosey Fanni Tutti’s “Incognito” show currently on view at Humber Street Gallery...
© Purple Institute