[01/24/2013]
A new presentation of Keith Sonnier’s late 1960s sculptures reveals the artist’s ability to blur the boundaries between organic and inorganic forms. At Mary Boone’s Chelsea space, neon and glass works slip easily from the wall to floor space. Sonnier is a pioneer in Postminimalist light installation and uses lowbrow materials and surprising shape configurations to highlight the connection between restraint and psychological impact. On view through February 23rd 2013 at Mary Boone, 541 West 24th Street, New York. Photo and text Juliana Balestin
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“HELMUT LANG. SÉANCE DE TRAVAIL 1986–2005” exhibition opens tomorrow at the MAK...
Purple presents Nike Shox Z, directed by Alexandra Cabral
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Last week, Foc Kan released his new book “80’s Paris Nights” with...
Last days of Christophe Brunnquell’s sculptural furniture is currently at Design Miami...
Doug Aitken’s “UNDER THE SUN” solo exhibition opens tomorrow at the Nita...
Michella Bredahl’s solo show “Rooms We Made Safe” is currently on view...
Cosey Fanni Tutti’s “Incognito” show currently on view at Humber Street Gallery...
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