[May 11 2018]
“Watershed pollution, a theory of embodiment, amniotic becomings, disaster, environmental colonialism, how to write, global capital, nutrition, philosophy, birth, rain, animal ethics, evolutionary biology, death, storytelling, bottle water, multinational pharmaceutical corporations, drowning, poetry.”
Such are the concerns described by Astrida Neimanis for feminist thinking in today’s neo-liberal world. Reflecting on her concept of ‘hydrofeminism’, the work of eight artists is brought together in dialogue and tension on a yacht moored in the port of Monaco, a site which becomes a prime symbol of today’s complex dystopian conditions.
Photo Saša Štucin
Hawkesworth Jamie
Tomoo Gokita “PEEKABOO” exhibition opening and after party at Tokyo Opera City...
Slutever
Sex Fashion
Balenciaga
Nigora in Los Angeles
See Yasmine Eslami’s new S/S 2018 swimwear campaign
BIRKENSTOCK BOX x Rick Owens Launch Party at Rick Owens, Los Angeles
Sofie in the Dutch fields
“Revolution 9” an exhibition by Homma Takashi at the Tokyo Photographic Art...
Juergen Teller “The Myth” opened on November 30th 2023 at Suzanne Tarasieve...
“Told A Vision” a film by Chloe Wise
William Eggleston
A–COMPANY PREFALL 2024 COLLECTION PRESENTED IN A STAGING OF ANTIGONE BY Daphné...
Givenchy X MyTheresa dinner at Theatre des Variétés
L’Épingle à cheveux by Suzanne Syz X David Mallett.
Dries Van Noten Los Angeles presents Andy Warhol’s MACHO, curated by Hedges...
Maison Gainsbourg opened to the public
© Purple Institute