[June 28 2010]
Joe Kay and Grayson Revoir at Over Before It Started, the first show at West Street Gallery, a project space curated by Matt Moravec and me in my new apartment. We invited Grayson Revoir, Kon Trubkovich, and Daniel Turner to present works that deal with a newly inhabited space. Daniel Turner worked as a guard at the New Museum, where he was prohibited from leaning against the wall because of the marks his body would make on the clean wall. From there he began making cloud-like site-specific wall drawings using materials like the dirt on his shoe. Grayson Revoir designs structures in the mode of outdoor furniture that is treated until it assumes human qualities. The piece he contributed uses metal hardware to simultaneously puncture and decorate it, rendering it useless. With four pencil charcoal drawings, Kon Trubkovich re-makes video stills from his visit to an abandoned prison whose surveillance methods preceded closed-circuit cameras. The drawings are scattered about the gallery space to create the effect of perambulating a cell. Text Alex Gartenfeld and Photo Sam Falls
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ALEX ROSE at ENVOY ENTERPRISES, New York
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Thomas Lélu’s “You Deci D e” exhibition at A1043 Gallery Paris
VAILLANT Dinner during PFW at Bistrot Minim’s
Panconesi launches “Facets” a series of a 9 short films, celebrating the...
William Eggleston
Ann Demeulemeester F/W 2025, PFW
Alessandra Rich Dinner during PFW at Caviar Kaspia
Sacai F/W 2025, PFW
Last Friday Panconesi launched “Facets” a series of 9 short films, celebrating...
Coperni F/W 2025, PFW
The group exhibition “Jew York” at Untitled, New York
After Deitch project : The Hole
Alex Becerra
FRIENDSWITHYOU’s FIRST NEW YORK SOLO SHOW at the hole’s new gallery, new...
Keith Haring at the Gladstone Gallery, New York
“The Antepenultimate End,” an exhibition by Kon Trubkovich at Gagosian, New York
PORTRAITS AND GHOSTS BY DAVID RATCLIFF INAUGURATES the second new space of...
A studio visit and interview with Daniel Turner by Études in light...
ALEX ROSE at ENVOY ENTERPRISES, New York
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