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Neville Wakefield's new license plate for Olympia Scarry. Photo Rachel Chandler
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Neville Wakefield's new license plate for Olympia Scarry. Photo Rachel Chandler
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Neville Wakefield (the curator of Commercial Break in Venice) and his girlfriend the artist Olympia Scarry trying to escape Toilet Paper Party, Isola San Servo, Venice. Photo Olivier Zahm
Presented on a giant mobile video screen traveling the length of the Grand Canal in Venice, Commercial Break will feature artists engaging with the relationship between advertising and culture. The short digital works by recognized and emerging artists from around the world will bring to art lovers and tourists alike a constantly reforming and randomly sequenced stream of ideas that suggests a world in which content moves at the speed of advertising and attention itself is the ultimate product. Commercial Break features the work of 80 artists - including a lot of names that we love at Purple like Aaron Young, Ari Marcopoulos, Cyprien Gaillard, Terence Koh, Olympia Scarry, Dan Colen and Maurizio Cattelan - as a contemporary sequence of endless ideas and content. The project is produced by Dasha Zhukova's Garage Project, curated by the American art editor Neville Wakefield and powered by the independent magazine POST.
Commercial Break will be viewable on location through Venice during the opening of the Venice Biennale and is also downloadable from today at the ITunes Apple Store. The project is produced in association with the Garage Center for Contemporary Culture.
GALLERY
Oksana Moroz-Hunt the owner of the iconic Ukrainian SANAHUNT Luxury concept store hosted a weekend of events for Kiev's cultural initiative kick-off. The weekend included a Olafur Eliasson show at Pinchuk's Art Center, a O32C exhibition featuring a performance by Olympia Scarry and a film by the band Salem, a Visionaire retrospecitve designed by Rafael de Cardenas, a Joseph Altuzurra 3D video presentation, and a book signing for Derek Blasberg's Classy. Photo and text Jen Brill
GALLERY
Nothingevertouches is a group show, featuring works by Olympia Scarry, Eloise Fornieles, Juliana Cerqueira Leite, Amelia Newton Whitelaw and curated by Ross McNicol. Nothingevertouches is an experiential exhibition in two (connected) parts: the first runs until 2nd March at the High Line Room (3rd floor) at The Standard Hotel, 848 Washington Street, the second runs until 6th March at Chiles Matar, 208 Bowery (2nd & 3rd floors), New York. Photo Tamara Weber